Sunday, January 21, 2018

introduction and contents



There’s a timeless quality to cultures—we are a recent species on this earth, yet ancestry and legacy blurs into infinity. Shakespeare always takes this theme to head & heart:
“And so from hour to hour we ripe and ripe,
 And then from hour to hour we rot and rot,
 And thereby hangs a tale.”
It is significant that Jaques quotes this pondering from a ‘fool’ in the forest of Arden, the refuge of the exiled Duke Senior. America, well before its ascendance as a world superpower, had such fools and forests and refugees. The tales of a nation are incumbent on the weave of cultures foraging for what they have—sometimes in amity, sometimes in enmity.
            The stories in this volume explore these cultural paths in samplings of plots that could be set ‘anywhere USA’. Twain’s Huckleberry Finn is an archetype of how an American comes to terms and comes of age, seemingly seamlessly; Morrison’s Beloved is as compelling an archetype, if such coming to terms and coming of age is unseemly and unseamed. Literature loves to range—dabble in the deductive, imagine the inductive—and these stories aim to honor that balance.
Notably, I’ve been away from America for nearly half my life. At age 26, I became a Peace Corps volunteer and learned something of the cultures of Turkmenistan. Thereafter, the cultures of the former Czechoslovakia have informed my family’s home. Tethers to America are forever in that weave, whether traveling back to my roots or the countless ways America ripples abroad. Like my volume Stara Evropa, stories here are necessarily my perceptions of a given cultural milieu—fictional to ensure no untoward exposure, autobiographical only to the extent that what these characters think or feel are permanently in me.
            Read them in the order that you like—some will cater to a regional recognition, others will intentionally remain amorphous. Eventually you’ll note that all include a poem of sorts. These are modest attempts to further range the voices, hint at lyrical realities that lie within us all. I’m grateful for a writer’s group in Prague’s Globe bookstore, without which these stories and embedded poems would not have taken such shape. Naturally, each of these stream-of-consciousness perspectives have many more to thank.

“The Presence”                       (for Marilyn)
“Cestoda”                                (for Viola)
“Lucky You”                             (for Kirsten)
“House Rules”                         (for Greg)
“Truculence”                            (for Karen)
“Retirement Speech”               (for Don)
“Grounded”                              (for Ben)
“Clutch”                                    (for Jonathan)
"Cadbury Memories”                (for Anneliese)
“Old Ekdal’s Influence”            (for Kateřina)
“Daedalus”                               (for Tilo)
“Gridlock”                                 (for Joshua)
“Behold the fowls of the air”     (for Eric)
“Transcendence”                      (for Cara)
“The Infancy of Memory”          (for Joseph)


Daniel Martin Vold Lamken (2018)

further literature by DMVL

The following volumes of literature are free for individual reading yet restricted by publication prospects. Please contact me at danlamken@yahoo.com for permission on any intended use.

Lost Menagerie (2005-present) is a volume of poetry that exhibits various forms and explores many themes concerning animals, human beings, their symbiotic and divergent traits. Access here: http://lostmenagerie.blogspot.cz/

Stara Evropa (2011-2016) means 'Old Europe' in Slavic languages, though the volume of short stories are all written in English. These fictional stories display realistic cultural cues from settings in central and eastern Europe. Access here: http://staraevropa.blogspot.cz/

Ageing America (2018) is a volume of short stories on characterization, each set in a realistic if vague context. Each narration blends description, dialogue, and an integrated poem. Access here: https://ageingamerica.blogspot.cz/

Good, less than Grand (2018-present) highlights flash fiction (stories 1000 words or less) about eclectic topics and characterizations. Within this volume is also an ongoing novel with chapters less than 1000 words long. Access here: https://goodlessthangrand.blogspot.com/

Meta-metaphysics (2018) is a volume of drama meant to be read, and possibly staged or screened. A novel entitled Having Run is also harbored here for its future-based dramatic qualities. Longer plays are also included below as separate PDFs. Access here: https://meta-metaphysics.blogspot.cz/

Echo Chamber (2017) is a 5-act play about the ubiquitous sharing of information on a given phenomenon: the potential sinking of Billings, Montana. Access as a PDF here:
https://drive.google.com/file/d/0B3hxmcz63n7haXI0YkFHc3BFRnM/view?usp=sharing

Codex Orange (2016) is a 5-act play about the concerns surrounding readiness for a terrorist attack: an elaborate simulation in Golden Valley, Minnesota. Access as a PDF here:
https://drive.google.com/file/d/0B3hxmcz63n7hVzM4M1RhbDZFV1E/view?usp=sharing

A Bruised Reed (1995) is a novel about a false fugitive who attempts to deflect culpability of a crime onto himself, set mostly in Cutbank, Montana. A Bruised Reed is not yet available in full digital format.

thank you,
Daniel Martin Vold Lamken

The Presence


 
“In my writing, as much as I could, I tried to find the good, and praise it.”
—Alex Haley

            We all, in America, learned something from Plymouth Rock—or should have, in one metonymy or another. I’ve been an on-the-beat journalist for three quarters of my life, always aspiring to ‘crack the code’ of that iconic rock—a Rosetta Stone of sorts—and to simultaneously ‘find the good’, as Sir Alex certainly has shown. I’m retired now, but not remotely finished. You may have seen me in syndication here and there—I won’t brag about Pulitzers that may or may not have been awarded; I will say, more to the point of this finale: perhaps you’ve yet to see the best of my reporting. And that’s because the object was never really up to me, but rather how it came to be, and how somebody listened.
            In kindergarten,.. third grade,.. maybe seventh, you dug your class a time capsule—likely for a lark and what the teacher touted for curricular articulation. I remember bringing in a baseball card—the Cardinals’ Bob Gibson, because I had a double—and a poem I wrote about… I really can’t remember. We buried a metal box that tried hard not to look like a little coffin—it ridiculously had a lock and key to keep the worms from getting in and regarding the content as a corpse. I asked my teacher—I think this was in third grade, but in a way it wouldn’t matter—about the difference, coffins and capsules: why do we bury the bodies of our relatives, never to be exhumed, and now these trinkets, planning on some uncalendared reunion to dig them up and say, ‘hey, we were thinking of Bob Gibson back then. Now we’re old enough to toast that memory, unaware (unless we google) if the man himself is alive or dead.’
            Of course we almost never see such an eventuality—there are countless capsules begging to be found, being crushed by forgetfulness and shifting ground.

            I’ve been looking back at the rough notes I attempted on the person in my neighborhood that neither I nor anyone I knew... really knew. For her sake, for mine, for anytown “in a pretty how town”, to quote the great e.e. cummings, I’ll leave this all anonymous. But be assured, the landscape and its creatures are quite real. The ‘quite’, I realize, is a qualifying particle naïve to journalistic code. So be it—I’m retired—and weirdly I have nothing to answer for (or everything, depending on the meaning of the universe—and yes, I’m going to take that on).
            Because increasingly, no one really does that anymore, journalistically. I’m not talking about religious cults, or dogma, or primers, prim and proper. I’ll start this dredge with an interview I had in high school, mid-seventies, when Stefani and Linda (not their names) agreed to be on record:  
            “I don’t know,” shrugged Stefani, “she’s always hanging around—”
            “That’s not quite how I’d put it,” said Linda. “Hanging around is, um… something between, um…”
            “So I don’t mean really ‘hanging out’ like we want her there.”
            “Yeah, that’s why I wanted to say: she’s there in a way that isn’t good or bad, just… present.”
            “Exactly,” said Stef. “We even call her, behind her back, ‘The Presence’.”
            I laughed at that, “sounds like a name of a band: ‘The Who’.”
            Linda had the wherewithal to contemplate ‘The Guess Who’ as an alternative, but then asked me to cross that out. “It’s all kind of a guessing game, isn’t it? Trying to figure people out.”
            “Or change them with a nickname—she must hear it when we whisper.”
            “Well, why do you whisper? Why not just go up to her and say, ‘hey Presence, we’re going to be downtown studying for mid-terms’?”
            “Yeah, good point. And she would show up…”
            “And just sit there in a booth close enough to listen, but not contribute anything; asking seems to blank her out—”
            “You mean ‘freak her out’?”
            “No, I mean…” Linda, of the two, had more empathy, always searching for the most precise word. “I mean, when asked something, she’d stop looking at the event or person trying to talk to her and just… blank her eyes.”
            “Blink?”
            “No. Blank. But not glazed over or cata-…what’s that word?”
            “Catatonic?”
            “Yeah. Not like that, either. I’m sure she’s thinking about things.”
            Stefani suddenly grabbed my writing arm. “You’re not doing a story for the newspaper, are you?”
            I honestly wasn’t, so I paced my response to ensure them in a Haley-way (though I had yet to read his works), “No, not for publication or any exposure of one of our peers, especially if she’s troubled.”
            “Is she?” Linda wondered. “I don’t know…”
            “Or if others are troubled by her. No, I just want to make a memoir—personally, so far—of how our town is… ours. Or something approximately so.”
            “You’re well meaning, I think. And a little weird.”
            “Can I quote you on that?” They both nodded ‘sure’ and went off to what they had been doing.
             
            I have to say this—somewhat off the record; I took notes on everything, which is not the spirit of how one should go to parties or find a space in a yearbook to sign. The Presence slid through teenage protocols, showing up when this was this and that was that, putting on an oddly fitting uniform, hiding acne with a double blush, loving probably something in us, though God forbid such feelings go detected or awry. I myself had a secret crush on Andy Gibb—would hate the world to know me for that fact and, well,.. back to proper journalism.
            Another anyone in our pretty how town committed suicide—so the jury stands—when efforts in his car radio heists tripped into the zones of nearby gangs.  Perhaps he was also in a gang?—no one really knew. And if that night a friend was with him, he’s been mum up to this day. Isolated, then, he pulled himself with broken legs to a playground at the outskirts of our school district, and found the strength to hang himself from the swingset bar. Or perhaps his rivals chased him there and, worse than Jesus, broke his legs to prove their point: you don’t trespass established maps, whatever loot abbreviates some tawdry legacy. This happened during the summer; most found out in ripples returning to school. I couldn’t interview him, of course, nor any ‘next of kin’—his friends, like me, were numb and devoid of things to really say.
            Yet the person I’m reporting on—not him, not any of his friends—burst lonely into tears when others in the corridor were merely shaking heads.

            The decades plodded on—or sprinted, as they also do—and I hid within the bureau where I worked, several states away. I had my toll of Reagan overload: voodoo economics and “Mr Gorbachev, tear down this wall.” His effect in putting an end to the Cold War became a strawman argument—who could disagree that he played a role in ‘who-will-blink; let-us-see’? History had its dress rehearsal with Khrushchev and Kennedy, and I tried to bring that into my reporting, critically. We feigned victory—Cuba kept its Castro while our ships set their sights on southeast Asia. To this day our troops salute with an inward palm, never having lost (excluding sense of purpose, here and there). I balanced correspondence work with newsroom editing, posted stories dutifully.
            Then flew back to my how town and abandoned any thought of World War Three. I longed to see this person I’m now reporting on, her anonymity. Being absent many years, I didn’t want to come off as creepy, obsessed with someone still unknown—so I dialed up understanding friends, like Stefani:
            “Well, yeah, she still is—whad’ya want?—showing up to things and keeping to herself. I haven’t tallied nothing on a spreadsheet, exactly, but shit, she’s gotta have some rhyme and reason for being a constant and not being so… I don’t know… in tune with things.”
            Linda, separately, gave details. The Presence showed up everywhere—town halls, football games, the crowning of the Chamber of Commerce ‘Business Queen’, the sweep-up efforts of floods that naturally would catch us unprepared. She was intuitive, I guess—catching things with not much notice, getting in and on with what the cause required, watching how a procedure was done and, given a gap, doing likewise. Those who knew what autism was wouldn’t say she had that, even in its spectrum; those who didn’t would imply that she must have some bolts loose, but ‘who am I to judge? Especially when she doesn’t do anything not good.’ Linda ended with that thought: “she’s often framed in a double-negative, if she’s brought up at all.”
            She lived with her mother, equally quiet if practically never seen. They had to have some subsistence, some life insurance pay-out, some employment past or even present. Events she showed up for would sometimes cost an entry-fee, which she always had ready. From what I understood, she was often waived through wordlessly.
            With great torment, after having failed a dozen times approaching her, I took the risk of calling their landline, listed by default in the Yellow Pages. Ten rings turned to twenty, the number I pre-determined would constitute invasion. She answered two rings later with as regular a ‘hello?’ as could be imagined, even though I imagined only what I’d say—a script, of sorts, with thoughts confined to me.
            “Um,… hello. I… you… don’t probably remember me, from high school—” and here I let some seconds pass, assuming that the sheer syllables of my voice would suffice to jog her memory. In the intervening silence, it occurred to me that I should have said my name, which I then supplied, and waited for some way to carry on. “I’m a journalist now—well, have been since university.” She didn’t respond recognition or otherwise; I went on with my premise: “I’ve reported mostly stories from beyond our shores, or people who come back from abroad and have something to share…. Well, what I haven’t done so well with is reporting on the homefront—this very town, the people in it…. And,… well, I just wondered who from high school was still here and, well that’s my starting point, at least.” It was not a lie. “I’ve kept in touch with so few; I’m kind of going from distant memory and,… you came to mind.” More silence, and my script had run out. “Are you still there—I mean, here?”
            In the same inflection as the ‘hello’, she responded “present.”
            “That’s good,” I rushed, “because I didn’t want to babble on…. I’ll let you go—didn’t mean to catch you by surprise; I guess, unless you wanted to say anything about the town—your impressions, or… I’m not collecting anything for breaking news, or Hollywood gossip…. Just,… trying to reconnoiter the past and present. And best when it comes from—”
            “You will see what pertains to your question through the stones, eventually.”
            I was dumbstruck by the diction. Even the object of the preposition—was she channeling the rock band, and should I joke, ‘you mean The Kinks?’ Or else The Cars from their Candy-O tour, where she’d been spotted in the upper deck? These, or anything that could have led to other talking points, fell from my capacity to further speak, so I rashly uttered “thanks,” and set the receiver back into its pay-phone rack.
           
            Journalism in the dot.com age was a ball of wax, and with or without my Pulitzer, I had to reconstrue a raison d’être for staying in the field. I’d gotten married and worked from home as much as I could—a boon for raising kids. But what I had to say anymore was increasingly a challenge. Remember that Y2K doomsday scenario? That kept me busy for four months. Then what? Reporting on Al Qaida from my home seemed incongruous. By the time the kids were grown, I could afford to get into the grisly details of Guantanamo, Kony 2012, ISIS, Crimea, the world’s works.
            Between each of these, I felt a need to get back to my how town, and re-find the good. Especially for my children, I was glad for occasions that had a parade—St Patrick’s Day was modest, Syttende Mai much bigger, July 4th and Veteran’s Day when everything was streamered red, white, and blue. The same routine started every one of them: a child-like man named Marty would receive the municipal flag from city hall and its tailored harness to help him bear its weight for two hours, angled above his head. He was the self-declared ‘mini-mayor’, his girlfriend Marjorie his manager of sorts—vaudeville characters without their trying, beloved by everyone who’d see them parade (beyond these holidays) their mini-dramas on our streets.
            One drama missed by the masses had been when an ambulance came to the apartment of The Presence and took her mother to the hospital, where she died of a heart attack. Linda, who works in the cardiac ward, told me this on a recent visit, but didn’t want to say more, citing confidentiality.

            I kept in closer touch with our librarian, veteran of the referenda that constantly put her budget—sometimes her job—in question. Throughout the years, as many as mine, she’d done everything to modernize and keep the patrons happy, and they were. The great lament she shared sparingly was that this institution battled ‘relevance’ to those that lorded over, and unlike me, she couldn’t bear the thought of working from the privacy of her home. When she called me up last month, I thought that theme was on her mind as she began with: “I’m out of my element today and need some advice.”
            “Shoot,” I said, self-conscious about that word choice.
            “Well, the strangest thing was taped to the front door this morning, an envelope addressed simply ‘for the library’.”
            “A donation? Perhaps from a secret admirer?”
            “Well, semi-secret, I guess you could say. Inside was a key on a chain connected to a little baggage tag, an address written, but no name.”
            “Hmm. I’d be careful about that—could be a trap. Or maybe someone found a lost key? But why the address? Was there a note?”
            “Not a note, but a poem. Should I read it?”
            “Of course.”
            She a-hemmed and recited slowly:

“I saw you all,
as much as you
saw me—a presence
hidden in proclivity
and absent in
the very need to
be unique—I
mirrored you or
made you think,
when thinking
was beyond me.

Presently, if you
unearth each
stone that leads from
you to me—I know
some distance
must exist—note
this neighbor’s
wish that none
were thrown,
but polished
very carefully.

Forging toward
eternity, we’re
willows of a common
stream—witnessing
the wakes and
sleep and deep
beneath—we
butterfly our
chance to dream,
one by one
or you by me.

That’s it,” she cleared her throat again.
            “And you don’t know by whom?”
            “I assume by the one who lives at the address, but…”
            “That sounds worth a check-over by the police, just to be on the safe side. I wish I could be there to… I don’t know, accompany if you wanted to ascertain the origin—”
            “—naturally, I do. But you’re right, I wouldn’t go alone.”
            “Tell you what—I could use an Easy Jet this time of year, anyway. Why don’t you do the footwork with the cops and, whether or not it’s a story, I’d still like to connect it with the old haunts and this forever-capsule project.”
            “Only if you’d want to—I wouldn’t object.”
            She called later that day to tell me they’d been at the apartment. By this time I had already guessed whose it was, even though she wasn’t home. I got on the first flight to find out more.

            They were like breadcrumbs: the librarian’s embrace, the poem she showed which resonated deeper at the sight of it, the swing-by to the hospital to pick up Linda, the note they found inside the apartment—witnessed by the detective who had come the day before—stipulating, “These stones are for the library—take them there, or use this home for its annex. I’ve already gone—still present somewhere else—and yet each luster follows me.”
            Arranged around the rooms, on every windowsill and tabletop, were thousands upon thousands of gleaming stones. Polished to their inner colors, they had but tiny inscriptions, sometimes reinforced with silver paint or gold, each with a different name—usually just a first, maybe with an initial—and under that, a unique hieroglyphic somewhat like those Jimmy Page made on Led Zeppelin 4. It would take hours, I knew, to find those whom I was closest to, but we all hunkered in and turned up stones.
            “Here’s Marty—what is that symbol below? a flag—seems so!”
            “And Stef, clearly with long lashes of her eye”
            We worked to catalogue them, carefully. Linda called the bus station to verify that, indeed, The Presence had been recognized—everyone would know that much of her—the morning before, stepping on a Greyhound leading… Greyhound wouldn’t say. “Client confidentiality,” Linda relayed, pinching a smile.
            I was thrilled to be finding friends and acquaintances, deciphering their symbols, wondering what mine would be. Before that prospect would come, lest we’d forget, I turned up the car radio thief—named, of course—and under that a butterfly that seemed to sing. And nothing more essential could such journalism bring.


Daniel Martin Vold Lamken (2017)

Cestoda



            Ms Henning tried to calm him down. “Nigel, please—forget for a moment what just happened; tell me what you felt coming to school today.”
            Nigel held his scowl and wouldn’t take such bait.
            The room was a tawny glow of afternoon sun, slanting to the reaches of most desks, if not the one that Nigel chose for this detention. Distant playground noise came through the open windows, and perhaps both he and his teacher were relieved not to be out there on this destined-to-be-dumb kind of day. The principal had made it a policy—not because of Nigel, but probably with him in mind—that when typical time-outs and such weren’t working on a teacher’s recess duty, instead of going to the principal’s office, the trouble-maker would go back to the classroom with the teacher, and the principal would watch the rest of recess. This way, he argued, the context of the problem would already be known and the principal could see a recess devoid of this contextualized factor. If necessary, a debrief could be deep, with everyone better ‘in the know’.
            Some teachers saw this as a cop-out, the principal ‘too soft on crime’, but Ms Henning had been through countless recess policies and figured that today, for instance, she could get more marking done while letting the ten-year-old delinquent stew. Her initial efforts were earnest, as perhaps were Nigel’s clamming up. She came to his math assignment and marked it as ‘messy in spots, but correctly done’, then lost herself in the stack that required more reminders, beyond the need for being neat.
            “They treat me like I was Mr Bean,” he finally said.
            “Hmm. Do they know who Mr Bean is?” she asked, doing a quick calculation that the 2012 Olympics opened that mime up to the wider world; these kids an ocean away would only have been in kindergarten then.
            “Everyone knows him. And no one want to be like him.”
            “Well, I’ve seen a couple episodes… I’m not sure many students here at Roosevelt Elementary would—”
            “They do. I’ve shown them on my phone.”
            “And… they enjoy?”
            “They say they’re stupid.”
            Ms Henning almost channeled Forest Gump’s ‘stupid is what stupid does,’ yet wasn’t sure that would be germane. She decided that attending to the next math paper would be the better answer.
            Nigel saw what she was doing and turned more toward the shadows. He’d murmur something, eventually, but wouldn’t let her understand.
            “Occasionally,” he heard her say, “Mr Bean adds his trusty teddy bear to a scene—you know Rowan Atkinson writes his own stuff—and the audience will go from laughter to a heartfelt ‘aaww’…. I think they call that a foil character, when the hero has somebody with him, and the audience feels better for it.”
            “Then that’s also stupid. It’s a grown man clinging to a teddy bear.”
            She’d continue, ‘and untold millions cheering him on,’ but recognized the growing banter in the hallway that indicated recess was over and the final hour of math (as the schedule would have it) was coming back into the room.

***

            The next day was nondescript. Maybe everyone forgot the reason Nigel had to sit out the second recess, or, like Ms Henning, thought the prank had run its course. It must have taken days of preparation to gather all those worms and put them into zip-lock bags with the precise ratio of air holes to keep them squirming. Then to threaten mostly girls throughout the morning that they wouldn’t guess what might hit them—and some teased ‘lima beans?’ and others ‘what your mum put in your lunch’, which might have been the same—and to sulk behind the cell phone he’d been told many times to put away or else to bring it here, the morgue that Henning had within her desk, for things that shouldn’t interfere with school.
            “What’s with these worms, Nigel?” Ms Henning asked, when he lingered after school voluntarily, almost as if he wanted to be in detention again. “I mean, it’s fine to have interest in a particular creature, and your report last month on tapeworms was very thorough.”
            “Cestodes,” he clarified. “Weren’t you listening?”
            “Oh, we all were. You said that tapeworms were ‘eucestoda’, if I remember right. And that there were some myths concerning them.”
            Nigel took some paper out from his desk tray and started to sketch. Ms Henning watched him for a minute before facing more worksheets to mark. Progress was very slow, however, as she kept thinking about the first weeks of the school year, Nigel being new to the school and even the country, having come from Glasgow with his American father and Scottish mum, and a poem he placed in the desk tray of Alison, another new student from San Francisco. Now Ms Henning tried to conjure the poem from memory, but resorted to the original she had to confiscate, filed at the back of her bottom drawer. Silently, not to be suspected, she slid it out and read it again:

Guess who I am?
I’m under the very
skin of things
(the earth has a skin
and so does the sea,
somewhat the same
as you and me)
so that means
I’m under myself—
Guess who I am!

He had written it out carefully on the front of a sealed envelop, the kind with bubble wrap inside to pillow the contents. When Alison opened it—during the lull of work time dedicated to math—she pulled out a flattened and desiccated earthworm that happened to be in the shape of a question mark, without the bottom dot. She screamed, naturally, and it took a whole week to get a confession out of Nigel, the only one of the boys who didn’t roar with laughter. Since Alison wasn’t really devastated, and in fact became more popular as a result, Ms Henning didn’t pursue the matter beyond some stern words about respecting one another and accounting for bad judgment. When Nigel finally told her, privately, that he had done it, he said his bad judgment was trying to be a poet.
            “I disagree, Nigel,” Ms Henning reacted at the time. “The poem is actually thoughtful, maybe even lovely when you consider no one was really hurt.”
            “Maybe I wanted to hurt,” Nigel responded, and ran away.

***

            The week was coming to a slow exit for the weekend. Friday recess was observed by the principal even though no one was having a time-out, and Ms Henning took it as a chance to get back up to the room and churn out the final papers she would otherwise have to distribute on Monday. ‘Nice of the principal to do that,’ she thought.
            She was surprised to see Nigel’s mother in the classroom, sitting at her son’s desk. She clutched a single sheet of paper as if it were a go-cart steering wheel and remained seated when she queried, without a greeting, “what is this that Nigel left on our dining room table yesterday?”
            Ms Henning said, “hello” and, walking over to look, “I don’t know.” It was a kind of flowchart—they had been working on these in math to determine absolute values for equations—and an odd kind of life cycle for—she could instantly see—tapeworms. She used “cestodes” to explain that Nigel preferred that term in his research for this project a month ago.
            “But this was yesterday, and he became awfully upset in the evening when I asked him about it. Look more closely—” the mother pointed to the labels of the figures:
            The central figure was shaped like an outline for a women’s lavatory, and on the left skirt side was minutely written ‘Ms Henning’; within that figure was a something that looked very similar to Richard Scarry’s Lowly Worm, if more stoic; the worm was labeled ‘me’; arrows exited the woman downwards and to the right—through grass to a cow labeled ‘Mum’—and to the left—through waves to a fish labeled ‘Alison’; inside each were larvae, all with Lowly Worm’s trademark Tyrolean hat; arrows coming out of the cow and fish led straight into a grocery bag and sushi bar respectively, then into the lavatory figure’s mouth (also stoic, if one could say so).
            “I don’t know what to say,” Ms Henning admitted, contextualizing further that Nigel had chosen this animal and in no way would such labels be sanctioned, even if a creative approach to the assignment was encouraged. “We want to make sure the kids don’t just do a Wikipedia report,” Ms Henning explained, “but of course this chart isn’t an appropriate example of creativity.”
            “Are you saying Nigel isn’t creative?”
            “Oh, heavens,” Ms Henning laughed a little, wondering if that ‘Guess who I am’ poem had been drafted on their dining room table, “Nigel is precocious and full of curiosity—I’m not worried about his creative potential.”
            “Well then, you’re worried about something else.”
            “Why would you assume so? I would email you any concern I’d have, and we spoke last time at parent-teacher conferences that he—”
            “—could be neater in his work, could integrate better with his peers, could channel his energy more constructively at recess…”
            “Yes. And should continue to be the best math student we have, and the sensitive soul that has talked with me when something is on his mind.”
            “Well, that’s where I want things to stop.” Nigel’s mother asserted. “We—Nigel’s father and me—have issued a formal complaint about your pseudo-counseling of our son—”
            “Excuse me?”
            “—and the way you demean him with teddy bear examples and questions like ‘what’s with these worms, Nigel?’—exact quote, do you disagree?”
            Ms Henning reviewed in an instant the forty years she had been teaching at this school. She had taught Nigel’s dad in this very room, almost from this very desk. She hadn’t met Alison’s parents yet—odd, that—but calculated that probably a hundred new families had come through her classroom as a means to acclimate to not just Roosevelt Elementary, but the suburban world around it. The bulletin boards changed several times a year, but rarely the cork below. Windows had become terrorist-proof. Blackboards turned green, then white, then smart. Desks, oddly, went through very few changes—seems like those trays below would never go out of style. Recess probably experienced most alteration. Some kids today wore bike helmets on or around the swing sets. Long gone were the days of ‘smear the queer’, which resulted in the termination of a principal—not for the semantics or the playful way to hate, but because a boy had broken his arm, and most likely not the ‘queer’ that was the designated one to ‘smear’. All the math assignments, stories that ranged from Flat Stanley to Judy Blume, science projects that were prescribed and dialed up by choice, birthday parties that still wanted a wallchart to designate, filmstrips and transparencies and videos and school-issued iPads, portfolios that pushed away tests, tests that demanded ‘no child left behind’, tests that extolled some kind of ‘core’, meetings on everything, principals towing some sort of line…
            “Do you disagree?” the question banged rhetorically.

***

            Nigel’s birthday was not to be denied, charted on the wall like everyone else in the class—even Ms Henning, who happened to be lumped in with the five other ‘summer birthdays’ they’d celebrate on the final day of the school year. What anyone wanted to do with their birthday was up to them, to some degree. Most brought in cupcakes, sometimes with a theme of Stars Wars or Despicable Me. Someone suggested that Nigel should do Harry Potter, to which he curtly reminded, “I’m Scottish, not English.”
            “I thought you were American.”
            “That, too. I have dual citizenship.”
            “What’s that mean?”
            Someone wanted to be funny: “it means you can choose who to spy on!”
            Ms Henning clarified what Nigel thought he could do for himself, but he remained silent. Awkwardly, he took out a grocery bag full of gummy worm packets and distributed them desk-by-desk as if they were Halloween overstock. He returned to his desk and declared to no one in particular, “don’t worry, they’re not real.” When some appreciative laughs coincided with the packages opening, Nigel decided to add, “but you should see how gelatin is made.”
           
***

            It was a curious way to end another school week, especially so close to the summer break. The principal emailed Ms Henning to come to his office to discuss Nigel, as if that was enough to go by. She brought her gradebook and his portfolio, guessing that something regarding performance indicators would be relevant. As for time-outs, he hadn’t had any since that worm-throwing incident.
            The boy wasn’t there, but his parents were. Mum looked exactly as she had the time she surprised Ms Henning in the classroom; the father looked amazingly familiar, considering she had not seen him since the early eighties, when he was in 4th grade—his receding hairline didn’t make him look less boyish. The principal stood to invite Ms Henning to a central chair, poised to face more the parents than the spot he’d occupy behind his desk.
            She shook everyone’s hand instinctively, and smiled at the chance to advise Nigel’s progress.
            “We’re really concerned about your influence on our son,” began the mum, barely after Ms Henning sat down.
            The principal a-hemmed, yet allowed more space for her—or as it happened—her husband to continue.
            “Yes, it’s remarkable to see you again, Ms Henning, after all these years. I’d say you haven’t changed a bit, but… the world does change.”
            “I don’t know what we’re exactly talking about,” Ms Henning replied.
            “You see,” the mum turned to the principal, “there’s a peculiar naïveté that doesn’t befit this meeting, let alone a sustained presence at this school.”
            “I’ve brought Nigel’s portfolio, if that befits the meeting. I was only informed this morning on an email that didn’t say more than ‘we need to discuss Nigel’—”
            The principal again coughed into his fist and took a semblance of charge: “we always put children first in our considerations; Nigel is our starting point… and only outcome.”
            Ms Henning nodded at that and added, “there are twenty-nine other children also on my mind, each and every school day.”
            “I can’t believe you just said that,” the mum rejoined, “as if you’re sweeping every one of them into a pile.”
            “I’m doing nothing of the sort.”
            “A pile that’s destined for a dustbin.”
            “I refuse to be so accused. Again, I’ll assert, in an even-keel voice, I don’t know what what we’re exactly talking about. That’s not my naïveté—rather your own lack of clarity.”
            The principal inserted some rambling ideas about the history of conflict management at the school, how complaints are filed and addressed, other mumbles that didn’t set the women at ease.
            And so the father thought it best to enter in. “I’ll tell you all a little story. Ms Henning, you’ll probably know some of this.”
            She did not want to nod anymore a presumed sense of acknowledgement. Instead, his wife encouraged him to “go on, whether she knows it or not.”
            “Ok. I enjoyed being a student here, for the most part. Your lessons, Ms Henning, probably helped make me a better manager of my time—certainly made me correct spelling errors, as if that mattered—but probably flat-lined things like math, not that that matters for an aspiring businessman.”
            “As I recall, you didn’t do much math homework—”
            “We won’t bring ‘homework’ into this meeting,” interjected the principal. “You know we use the term ‘enhancement exercises’ now and have done so for at least six years.”
            “And we have exercised that often,” the mum let known, “not that we have to say so.”
            “Appreciating that,” Ms Henning acknowledged, “though at the time of this story, a homework policy was in place and I attended fully toward its success. How you ‘flat-lined’ is, well, regrettable, but not a reflection of our negligence as a school.”
            “I can’t believe you just said that,” the mum restated.
            “Anyway,” her husband continued, “I’ve done pretty well in life. I don’t want to say ‘despite’ this or that, and—credit to you, Ms Henning—nothing about you demonstrably held me back.”
            “Gosh, I guess I’ll say thanks,” she said, devoid of any certain tone.
            “There was a teacher then, a Mr Christopherson—you must remember him…”
            Ms Henning searched her memory, “you mean for P.E.?”
            “Yes, an older guy—well, apologies, about your age.”
            “He was here just one year, I suppose the year before he retired.”
            “He was fired, Ms Henning—you must know that.” He turned to the principal for a verification the latter wasn’t prepared for, but still provided with a nod. “He sat every P.E. lesson and smoked Marlboros as we played dodgeball—every single time it was dodgeball, without exception. And at the end of the semester, when grades came out and every single one of us got a ‘C’, we marched up to him and said, basically, ‘what’s up with this?’ And he said, still smoking, ‘what does it mean to get a grade of C? average, right?’ and we, dumb 4th graders, had to agree. Then he said, ‘you all did average.’ ‘But,’ one of us said, ‘all we did all semester was play dodgeball.’ And he salted the wound by concluding, ‘yep—your dodgeball was positively average.’”
            Ms Henning let that story sink in, exhibiting what pedagogy calls ‘wait time’. She nodded in a modicum of understanding, then decided, “he obviously taught you something, despite appearances.”
            “And what would that be?” jumped in his wife.
            “You tell me.”

***

            The summer birthday boys and girls didn’t bring in cupcakes, but instead received well-wishes written from everybody in the class. Ms Henning wrote out something for every student, regardless of when their birthday occurred, and received something from everyone in kind. Alison’s included the logo for the Golden State Warriors, saying, ‘keep playing great!’ Nigel’s was wordless, if a rather neatly drawn ouroboros, looking like a Möbius strip.
            The same afternoon had another kind of card in Ms Hennings’ staffroom box, if not the insulting ‘pink’ everybody associates with it. She marched into the principal’s office and threw it on his desk. “Rejected,” she said, aware of the double entendre in so saying. To clarify, she followed with, “I reject this.”
            “You can’t,” the principal held. “It isn’t up to you to reject or even me to defend. And if you read more closely, there are provisions for your most positive severance package—”
            “I’ve taught here for forty years, entitled to a couple more—”
            “Ms Henning, I couldn’t agree more to a sense of entitlement, and that’s why you should really read those provisions—”
            “I was here when Mrs Berg burst her veins during a 2nd grade lesson, and no one could make sense of it, let alone step in to help those students decompress!”
            “I don’t doubt for a moment—”
            “And when Mr Parker was rumored to be on drugs and fell down the flight of stairs, or Mr Norton collected all the 6th graders after school to chide them for not laughing at his jokes—I was the one who negotiated their release, so to speak.”
            “Negotiation is precisely what we’re talking about—”
            “And I won’t exploit the thousands of private examples where adults and kids needed something of a listening ear—”
            “But that has become your Achilles heel, Ms Henning, in this case—”
            “What?”
            “Nigel didn’t want you to be a listening ear. He didn’t want your advice on teddy bears or worms.”
            Ms Henning took that in, more for the principal’s benefit than her own. “He didn’t want…. Or he didn’t need….”
            “The former, for sure.”
            “And the latter?”
            “The latter doesn’t matter. We’re fighting the voucher system nowadays, if you haven’t followed politics.”
            “I most certainly have, yet—at apparent risk—I’ll listen to your point.”
            “My point is that we’ll lose parents like Nigel’s and, consequently, the voucher allocation that comes with it.”
            “And so, instance by instance, you’ll weigh the risk of losing these vouchers.”
            “That’s too simplistic—”
            “Too much an ouroboros?”
            “What? what do you mean?”
            “Ask Nigel. He’s obviously in a position to teach you a thing or two.”
            “Now, Ms Henning—”
            “I do have a first name—”
            “Of course, I don’t—”
            “—mean to be crass? Goodbye, Mr Principal of nothing I ever stood for.”
            “The school year is not over yet—”
            Ms Henning thought about that. “You’ve got the general gist through recess,” she said, and left with a thorough sense of coda.


Daniel Martin Vold Lamken (2017)

Lucky You




            ‘Dilemma’, by definition, compels a choice between two terribles. And when someone is so cursed to have to choose between, say, admission to Cambridge or Princeton, you might call that a positive dilemma: a divergence in a yellow wood, a ‘you had to be there’ hint of being included when you’re probably glad you weren’t. Positive dilemmas have a fickle step-sibling called the faux dilemma: framing #firstworldproblems like games of tic-tac-toe, the luxury of ennui. Not to say the affluent cannot have bona fide dilemmas—the Euro crises in the ‘PIGS’ countries may have shit the pants of Strasbourg—yet theirs tends to be a blush that adds not much to laundry bills. On our side of the pond, a black-listed Colin Kaepernick could have helmed the injured hopes of Packers, Colts, Texans, Dolphins, Cardinals, Eagles… if twitting were to abdicate its fifteen minutes (or months) of fame, fanning jingoistic flame.
            You’ve been merely a tool in these problems, delivering newspapers to upper-class households that hold on to nostalgia—walking in silk pajamas to the near end of long, manicured driveways—and a sense of seeing the world beyond computer screens. You’re employed by a distant media conglomerate but also, by design, a local, coupon-stuffing grocery store that hardly pays your rent, let alone what you’d do in that reach of real estate you deign to designate as your zip code, allowing kids you can’t afford into a public school that, so far, survives (even flaunts) the trend of vouchers. You’ve been doing this now for thirteen years—Horoscope, if it knew such tabulation, would be going crazy, especially if you were taking things for a grain of salt. Sing all you want, we built this city, we built this city on rock ’n’ roll, because that’s about the likes of it. You’ve only built a little more traffic into the grocery store, as well as an archive of op-ed oblations to grand old partisanship.
            Less the Starship than Fleetwood Mac was on your mind last Tuesday:
                        Now here you go again, you say
                              you want your freedom…
                        Well, who am I to keep you down?
God, she could put the hooks in you, 5am or otherwise. The blur of pure alto and birdsong and bass beat and railway brakes made the distribution of papers feel like—not heaven, but some earthly high, a reason to wake up to do this again (as you’d have to, anyway). But today would be different, in what you had and what you lost….

            The municipality had installed recycling areas to attend to the modest outcry that paper/plastic/clear and/colored/glass/tin/aluminum were not sufficiently sorted by the kind of truck that looked too much like the one for general garbage collection. This initiative had nothing really to do with your routine—yours was not the profession of disposal (not immediately, at least) but of dispersal. Granted, in a day or two, the news and coupon flyers that you’d throw into driveways would become the fodder of the blue recycle bin designated for ‘paper’; you supplied their minds, perhaps, before they supplied these mindless bins. You thereby went about your neighborhood routes with a sense that you fed the ‘mouth’ of a process that, intestinally, ended up here, in cloistered hobbit houses.
            Last Tuesday, hooked distinctly to the top of a bin quite deep into the neighborhood was a vinyl bag with a pull-string to keep out pickpockets, if not potential drops of rain. But Tuesday was precipitation-free. So was Wednesday, when you saw this bag again, hanging as if a prop to a not-so-Norman Rockwell scene. The bag—two days in a row—bulged a bit like a halloween haul of…not fun-size Snickers, but… Wonka bars, as Charley and his Gramps would imagine. The bag, like the bin, was cobalt blue, its pull-string white against the silver hooks that would lift the whole thing up into a truck tomorrow, according to the recycling schedule.
            Why would someone loop the bag onto the hook and not dump the contents into the bin? Because the bag itself was not paper? A sort of footnote to the staff? Recycle what’s within, then dump the receptacle somewhere else… If one day passed, the bag might have served notice as a sort of lost-and-found. A second day would have allowed for some reclaim. A third would have posed a dilemma for the recycle truck: to include or not include into its designated paper moraine… You doubt the reflection would be so considerable. Still, your own doubts held you in, preventing a midnight stroll in that direction.
            6am, Thursday—who would note?—you took the bag from its silver hook and snuck a look. It contained an comic amount of bound one hundred dollar bills, Wonka wads of golden tickets, multiplied a couple hundred grand. Holy shit! you let slip out, against any logic that deity or defecation would spawn such a thing, at least together. Luckily, no one in pajamas heard the ejaculated phrase, and probably the cover of the trees prevented windowed watchers from seeing you, though who could really say? You took the vinyl pull-string bag and snugged it into where your papers lived, as temporarily as the dawn turned into day. This was not stealing—finders keepers, dumpster divers, reuse-before-recycle—nothing in the subtle wars of ethics and morality would do more than shrug a shoulder, or maybe even pat you on the back.
            6pm, Thursday—you’ve sweat out your guts. You’ve counted in the glow of naked lightbulbs, curtains closed, eight hundred thousand dollars, exactly. You laugh for the first time all day: ‘I could call in sick, for a change!’ And you really might need to, because this windfall will require more maintenance than a baby (you imagine): diapers = getting rid of distractions, bottles = nurturing the naïve notions of how things develop, cooing and crying and all other participles babies and parents go through. There are meaningful people in your life to talk to—especially now; you toy with the keypad, thinking a message might filter the shock; person X could complicate, person Y could comfort, person Z could tilt toward the X or the Y or, most likely, the Z. Nobody’s considering U, least of all your exponential W.
            You reasonably call in sick, then stupidly, 6am, return to the scene to witness the recycle truck doing its weekly routine. You eyeball the driveways—no sub has yet delivered the news—and scurry away in the instance that some windowed watcher might call in to call you out: ‘he’s really not sick at all!’ Gaming the system, you are. Damn straight—‘bout time! Those lotto guys do this on tv; the difference between them and me is, well, tax authorities. A difference that’s stark, worth getting sick over, staying out of sight. You call in again for the entirety of next week—the boss you’ve rarely seen seems to sympathize, wish you a speedy recovery—then wisely, you sleep, perchance to dream.

            There are ways to proceed. Your budget, including a decent dating life with Dana, down the street, came to about seventy-five bucks a day, rent and utilities included. Just bounce that up a third in quality-of-life, slowly quit your job, and you could be worry-free for the next twenty-plus years—mattress money! Getting fancy, of course, would mean upgrades that wouldn’t take cash-in-hand and would, instead, require lawyers mostly out of your control. Let that wait ’til the teen-age years of this adventure—keep it childlike, while you can. A hundred bucks a day—hell, two hundred if you want to pay that way at Kohl’s—will recycle back into society, the leaver’s ostensible objective anyway. How to fund the bank account, how to pay rent, credit card and other bills not by wire:… these become the sticking point, reason enough to keep the paper route awhile.
            Should Dana know? Should Dana know…. Dana cares for you, and vice-versa; you’ve been feasibly close to moving in—not so seriously, but sometimes discussed—one to the other, circumstances quite aligned (before the treasure). Let that question hibernate; it’s forgivable that unexpected secrets have to have their time to come and go.
            Foolishly or not, you spend your sick leave at the library, among other stops, paging through some texts you wouldn’t find online. Or maybe guided by suggestions of the internet—you don’t want to type in ‘how to deal with sudden wealth’, but other, subtler things come up: Saramago novels, strangely, like The Double, which you start to read and almost toss upon the floor. You check it out, though, with The Cave and Ruskin’s Unto This Last, which you know you could have found online, but even so… You’re wary of the cybersphere, tendrils of which might discern what’s going on. It’s no crime to check out Ruskin, but put it in a pattern, slipshod it may be, and there’s no telling….
            The week wheels dizzyingly. Nothing helped by mid-day drinks. To go back to the paper route will meet with some relief—Stevie Nicks will be there, after all,
                        when the rain washes you clean,
                        you’ll know—you’ll know…
There is some solace in the thought of windowed watchers—whoever they might be—seeing routines go back to normal, whether the sub did satisfactorily or not. You are a part of this community, weirdly richer, seemingly the same.
            Dana comes over, naturally, and the two of you go out for Indian take-away and come back to watch a movie. “Wow, I like the upgrade—did I miss a sale at Best Buy?”
            “No,” you say, “I just wanted to surprise you—didn’t cost me any nest egg, but also doesn’t bow to Black Friday.”
            “Okay,” Dana says, buzzed because you had more booze than usual, “nest egg talk or otherwise, let’s snuggle into this beanbag that I see you also bought.”
            And so it goes, or hopes it will. Stevie’s fully keeping count:
                        Now here I go again I see
                              the crystal visions…
                        I keep my visions to myself.
And Dana might, in slumbered terms, respond,
                        It’s only me who wants to
                              wrap around your dreams…
                        Have you any dreams you’d like to sell?
And the rest of the song—you know far too well—is beyond the capability of the evening, let alone a shared life.

            Life beyond that last Tuesday, which was last month, will never cease and desist. You’ve given your three-weeks’ notice, reasonably, and scoped out better places to rent that won’t stipulate nagging particulars. You’ve set up a new account at a different bank—expressly to handle a new debit card—and no questions were asked about the way you brought in a supply of a hundred hundred dollar bills. Nonetheless, you proffered something plausible, like Norton Anti-virus had failed and a modicum of liquidation seemed due, to which the banker nodded, maybe knowingly. From here on out, you’re free to refresh the account with a couple hundred dollar bills that shouldn’t raise an eye, if done wisely. “I have another account for my salary and other expenditures,” you usually feel a need to say.
            ‘Idiot’, though—‘say nothing more than a need-to-know’, as these bills are probably being traced by now. Nobody would just leave eight-hundred grand for common recycle! You still have your ‘finders-keepers’ apologia—the most usable derivation of ‘defense’. Truth be told, nobody threw their body at that bag for forty-eight hours, and by now its contents could have been the very pulp to make McDonald’s paperware, or more likely, next week’s broadsides of nostalgic news.
            You work assiduously for these three weeks—every interest at stake. The job’s been pleasant, after all, and you’ll miss the morning mists, literal and otherwise. Naturally you’re interested in the originator of that vinyl bag, the whys and wherefores by which it came to land on you—reluctantly, it shall be known on the record, if known at all.
            Nobody cared about your return-to-circuit, or your retirement from it. Take that back: a few of the pajama-clad saw you by coincidence and bestowed a befitting ‘hello’, never thinking that the same kind of tip at their restaurant of choice might make the leap of logic from their wallet into your pocket, if anyone would deign to think of it. ‘Oh, you’re leaving us?’ you’re asked, and you don’t know how to begin debunking ‘you’ and ‘’re’ and ‘leaving’ and ‘us’, let alone the vapid ‘oh’…
            Dana put your mind to rest for most of this stretch, not even aware that you’ve resigned. ‘Are you feeling alright?’ lends to easy nods and unabashed weeping into the neckline of the garment Dana wears so perfectly, open for exactly that, if closed to scrutability. There’s been no mention of the vinyl bag, but surely, if there is a God, that devilish deus ex machina must have revealed itself beyond that recycle bin: it was hung there for all to see, for heaven’s sake! And it still hangs from a nail at the back of your closet, behind a bunch of sweaters you’ve long stopped wearing.
            Remain yourself—you’ve done so all your life. Yes, you clearly need an upgrade from your Ford Taurus. Amazingly, the Lexus dealer two suburbs away took your enveloped thirty-six thousand dollars without question—that’s not how the modern world works, you know. In the back of your mind, sort of as a test, you think ‘if these bills were stolen, they’d be traced by now, through serial mark or GPS on the wraps or something of the equivalent.’ Lexus didn’t bat an eye—or didn’t seem to—and you drive out with a sense of feeling free, if really still confined.
            The landlord’s at a loss: you said you’d like to stay but need to pay another way and… maybe you are looking for another flat. Good scripting, that. You couldn’t have thought this out more thoroughly? the place you’ll lay your head at night? the fact this landlord’s been the best you’ve ever had? Your solo plan had better work out right. There are fates attached to any such designs to move, and that’s an uncomfortable fact.
            Dana wonders differently: “Did you get some inheritance check, or something like that?”
            You figure lying isn’t right, but also playing into ‘something’ might incite a domino of query, why a Lexus comes from nothing or how unemployment suits so well. “I’m just… at an age [no mid-life crisis, this] where… saving has been… saved up, sufficiently.”
            Way to stay vague. Dana waits for clearer clauses, which do not come, then bursts out laughing. So, at least you’re not showing signs of suicide. Signs of growing up? Well, you have to join in Dana’s mirth.

            Eventually, the world within your world would know. You took a job at the grocery store—the produce section, mostly—to sustain appearances, but your mind was often elsewhere. History or mythology says there are coastal getaways in Mexico, perhaps Belize to slide in language-wise. Dana might be good with that—you wouldn’t want to go alone. It’s twenty years rent-free! There’ll never be a span of time, one-tenth or one percent as much—there’s nothing arguing the opposite.
            That said, you’ve never given voice to X, Y, and Z, one of them a trained confessor that could, theoretically, retain such confidentiality. There’d be advice to turn the whole deal over—maybe even get a reward—or parse it out to charities, an honest way to recycle means for a lack thereof. There’d be ways to launder—‘I got this cousin, see?’—and ways to cover—‘simply in your closet? You gotta be kidding me!’… They’ve been stalwart friends who wouldn’t have to change because of this; but this has never been tested, obviously.
            Dana’s beyond them—the only one you’d cry to see after just one month. Sure, there’d likely be good people to meet, if some of whom might sniff you out. No matter where, the world within your world would know.
            So, you’ve decided. Since you’ve taken four of eighty stacks already—the Lexus being the lion’s share—you figure that four more (a tithe to self, at ten percent) would be a type of piggy bank—you even saw one on a shelf at Kohl’s—and the rest? You’d string it slightly leaner on the same recycle bin, well before 5am next Tuesday. It can journey as it has done with you, to another you that has the wherewithal to observe and wonder and risk and dream and reconsider. You can go back to the paper route—the exercise alone is salary enough—and back to snuggling in beanbags new and used for twenty years and more. Yes, that is what you’d do!
             
            You halt your tracks a hundred feet from what you squint to see: there, hanging on the silver hook, is another vinyl bag—exactly like the one you’ve harbored in your closet, now enclosed in your raincoat, as thunder has been rumbling all night. You haven’t been to this side of town in weeks, and you can’t imagine vinyl bags have been cycling like some experimental scheme. You think of abandoning the plan—where there’s bait, there’d be a rod and reel, some hidden camera, a way of tracing you, perhaps in body chalk, eventually.
            A flash of lightning acts like an interrogator, silent before the clap of accusation. You have an idea that would cost a half-hour, at least, but maybe let you go scott-free. You’d seen a flattened cardboard box against another blue bin closer to the railway line. It had contained a refrigerator, twice the size of you, and with a bit of effort—punching eyeholes through one soggy side, an armhole through another—you could scurry like Scout in her ham costume, switch the vinyl bags, and leave the box approximately how you found it.
            It is as gritty a job as you thought it’d be, and you fear the cardboard won’t hold up. The weight is difficult to balance, delicately, and the rank lack of air threatens to asphyxiate. You could become the pulp of your own plan, dying not from mafia surveillance getting back its dough, but from coffin you’ve put on, all in the name of freedom. Thirteen years of paper routes had never shown a jaunt this arduous, yet the training has come to this: you’re now at the original bin, you push your right arm out to unhook the vinyl bag that hangs there—apparently empty—and exchange it with the bag that hasn’t been exposed to the elements for all its adopted babyhood. Your eyeholes are not cooperating with your desire to make it hang just so; you know it shouldn’t matter, and, with the distant sound of train brakes, you let it be and scurry out of any camera’s range. A block or two away, you slide out of the soggy coffin and fold it to obscure the holes, and leave it at another blue bin, more or less in the direction of your home.
            And, there, you get undressed. The vinyl bag you snagged in replacement looks up from the pile of damp clothes and seems to wonder if you’re okay. Why take another one of us? Good point—maybe out of curiosity. The forty grand from its compatriot has nestled nicely in your underwear drawer; it would be playing with fire to put that stash in this new bag and hang it in the closet. You’ll dispose of it—the bag, not cash—the next time out, and the molting will be finished.
            It wasn’t empty, though. In blue pen on lined paper, maybe even Dana’s handwriting—or are your eyes playing tricks on you?—a riddle unfolded, causing you to render all a dream:

I have always been much richer than you knew,
hiding wealth for sense of self in what you do—
what is shared or spared from anyone’s purview,

I have always had an overweening sense of you,
never minding what that means for ‘sense of us’,
you know we could ticket each a one-way bus:

I could pay and you could stowaway, if we must
(allowing there’s no need to calibrate such trust),
you have minefields to plow, cautiously, as do I.

I have never been a wise old owl and wouldn’t try
to be one now; the fact I stay awake, wonder why
the morning may be different than meets the eye,

only bears on how you’ll wake and see in kind—
you are the dawn and dusk and settle of my mind.


Daniel Martin Vold Lamken (2018)